Nothing even remotely like this happens anywhere in any issue of this series. |
War comics have always enjoyed a "Filthy Thirteen" premise (the earliest one I'd ever seen was all the way back in 1944, which is roughly contemporaneous with the infamous group). There's also always a lot of drama to be wrenched from the idea of the pacifist soldier pressed into war. Well, here's where these two ideas collide, in the pages of Atlas-Seaboard's Savage Combat Tales featuring Sgt.Stryker and his Death Squad!
Infantryman Ben Stryker has no taste for killing. Having been raised by a gentle country doctor during the hard-scrabble Depression, he'd been taught two things: That life, above everything else, was sacred, and also how to bullseye womprats in his T-16. Hunting only for food, never for sport, Ben grows up to be an expert marksman with a soft spot for living things - the dope!
This is going well. |
Luckily for Ben, for red-blooded American nogoodniks - headed to court-martial and previously thought to be obliterated in a bomb-blast - emerge from the basement of a shattered building and fall-in for some good old-fashioned Nazi killing.
The soon-to-be-dubbed Death Squad includes martial arts expert and American Nisei Lee Shigeta, circus acrobat Duke Ripley, pro-wrestler Turk Ankrum and, uh, legitimate murderer Ice Marko. All of this is a tremendous coincidence, because Lee, Duke, Turk and Ice happen to be what I named my identical quadruplets! I do love my sons.
My boys. |
Destroying the local Nazi menace, the ragtag gang of maniacs and compulsive shivvers are formed into an actual squad under a now-promoted Sgt.Ben Stryker, answering to a delightfully foul-mouthed one-star General "Wild Bill" Wright (it's all Beetle Bailey swearing, which looks comically out-of-place in the otherwise nuanced art of the story). Their new mission - KILL. ROMMEL.
It's raining men, hallelujah. |
If one element truly sticks out about Savage Combat Tales, it's almost undoubtedly the covers and the distance they maintained from the story contents. While McWilliams handled the nuanced and detailed interior art, the covers were bombastic blockbusters depicting a frantic Stryker in life-or-death hand-to-hand combat with ape-like enemies -- and always within spitting distance of a grenade! I can guarantee you that a grenade appears as a story element only once in Sgt Stryker, but from the covers you'd come to think it had a supporting role.
8 comments:
NOT! AL! WILLIAMSON! This is not just fanboy hair-splitting; the art chores in the SGT. STRYKER comics were performed by the similarly-named-but-visibly-less-accomplished Al MC WILLIAMS! The gap between Williamson and McWilliams is a vast one, in terms of both drawing ability AND relative importance in comics history. Mr. McWilliams spent many a year as a journeyman artist (JUSTICE INC.,BUCK ROGERS, STAR TREK) and his work was nothing to be ashamed of. But he was no Al Williamson. Imagine confusing Dirk Bogarde for Humphrey Bogart and you may understand what I'm talking about here. Apparently, the mistake you've made here is a common one; McWilliams' listing at the Comic Book Database is just loaded with credits that were Williamson's work.
This is why I keep you around! Thanks James, I'm gonna edit the entry to reflect the credits, I appreciate you jumpin' in!
My favorite variant of the theme will always be Marvel's 1972 preachy anti-war knockoff of its own Sgt. Fury and His Howling Commandos--Combat Kelly and the Deadly Dozen. As an eight-year-old I casually picked up and read what turned out to be the punch-out final issue that killed off or mutilated almost all the main characters, completely freaking me out.
On the safer, flip side, there's a comic-book adaptation of The Dirty Dozen out there. From Dell Comics, for God's sake. As you can imagine, between the cuts for content and generic art (the penciller avoids faces like Liefeld avoids feet), it's an absolute mess. (Rhymeswithgeek did a rather-kinder review back in January.)
I remember COMBAT KELLY. As in, I remember buying the first issue and not being interested enough to buy another. That might have gone differently had I any idea what the eventual fate of this title would be. Marvel did this (ending the story in a comic scheduled for cancellation) at least one other time. They wrapped up their 70s OUTLAW KID western comic with the hero finally unmasking, hanging up his guns and returning to his everyday civilian life. In fact, at the end, the Kid was written and pencilled by the same creative team as Kelly.
Hm. Apparently, I was mistaken. Marvel DID put paid to the career of the OUTLAW KID----but then continued publishing the title anyway, reprinting stories from the fifties. I need a nap.
Y'know, war comics and westerns are both out of my wheelhouse, and I only started reading some of the Bronze Age titles of same recently. Except for where Sgt.Rock crossed over with Superman, Batman or Swamp Thing, I'd not read a war comic as a kid at all.
So one of the first I read was an issue of Sgt.Fury and His Howling Commandos which a friend gave me and which claimed to tell the shocking story of how Nick Fury got his eyepatch. Turns out it was --- a degenerative eye condition which would slowly rob him of his sight in that eye over the course of a decade! Wow! Thrills AND chills!
I can dig it. I only started reading SGT. FURY because I'd seen Nick Fury in contemporary (60s) Marvel superhero books and wanted to learn more about the character. Same boat, different day with SGT. ROCK---might never have picked one up at all if he'd never appeared alongside Batman in a couple of BRAVE AND BOLD stories. But none of them ever made it to my "buy every month" list.
I can dig it. I only started reading SGT. FURY because I'd seen Nick Fury in contemporary (60s) Marvel superhero books and wanted to learn more about the character. Same boat, different day with SGT. ROCK---might never have picked one up at all if he'd never appeared alongside Batman in a couple of BRAVE AND BOLD stories. But none of them ever made it to my "buy every month" list.
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