That one bird at the bottom of the panel has a mohawk. |
Or, in the case of The Dark Abysmal - of whom I think I can fairly say is in possession of the best monster name in history - you come crawling out of a placid Kentucky hill-town, where for over two hundred years the citizens have lived "a life of humdrum contentment." The hell you say, Fiction House, I've been to Kentucky...
It's drowning. |
The trouble begins when Dan'l and his pals bring the remaindered Boglin puppet into the center of town. There, a corrupt fatass in a purple suit - Ben Jackson's his name (the guy that is, not the suit) - realizes the tiny weirdo's potential as a carnival attraction. This is apparently the last thing in the world which Dark Abysmals want, and this results in utter chaos.
While the town debates whether to murder the inky-black octobaby or just sell it into slavery, the Abysmal suddenly grows to titanic size and starts wrecking everything. Gosh, think of what a carnival attraction THAT would be!
In short order, the Abysmal wrecks some telephone poles (which is okay, as I suspect most of the residents of Gopherville feared the telephone as an object of black magic), messes up an idyllic picnic, wrecks the main drag and then holes up in a barn where he eats hay until the army shows up.
"It would be way too expensive to show on-panel, though!" |
What is it that the Abysmal truly wants, though? Naturally, it's Lit'l Dan'l and a quick return to the peace of the swimming hole - which he immediately blows up, having his spaceship hidden in its depths. Hm? Yes, well, according to a visiting newspaperman from the big city: "There's no question in my mind but that they (?) were peaceful emissaries from a distant planet -- a different life-form from ours, very sensitive to emotions and feelings..." That's some good reporting, mister reporter,considering you just pulled it out of your ass.
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